David Tennant is the type O-negative of people, what my friend Charlie calls the universal boner. He is tall and sort of ginger, always shaved yesterday or the day before and has a very non-actorly habit of never looking directly at his scene partner, perhaps he might just be too rumpled and tired to do so. When he does make eye contact, it is always suddenly, with amber-colored eyes blazing and usually simultaneously yelling some English-adjacent Scottish noises. But when David Tennant finally does make eye contact, it is with an intensity that could be murderous or could be love. Often the scripts he chooses call for both simultaneously. And the whole combination is utterly, disarmingly charming enough to startle one, momentarily, away from whatever sexual preferences existed before and briefly replace them with a sexual preference for David Tennant and David Tennant only.
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For one thing, an obsession with contaminated surfaces distracts from more effective ways to combat COVID-19. “People have prevention fatigue,” Goldman told me. “They’re exhausted by all the information we’re throwing at them. We have to communicate priorities clearly; otherwise, they’ll be overloaded.”Hygiene theater can take limited resources away from more important goals. Goldman shared with me an email he had received from a New Jersey teacher after his Lancet article came out. She said her local schools had considered shutting one day each week for “deep cleaning.” At a time when returning to school will require herculean efforts from teachers and extraordinary ingenuity from administrators to keep kids safely distanced, setting aside entire days to clean surfaces would be a pitiful waste of time and scarce local tax revenue.
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A couple of things:
You can’t hold someone accountable if they aren’t in your community.
Punishment without forgiveness is abuse.
Atonement is an active process.
Forgiveness is not mandatory for justice.
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Strong group norms are super hard, and I think until they are so strong that they fall into "common courtesy" realm it is a difficult and slow educating task of what is/isn't cool in this group. If the community can do that, awesome, but until there's that self-reinforcing feedback loop it's going to be a 1v1 scenario.
I think slow growth is vastly underappreciated. It's the hard, good work.
Could you say more about "in community" enough? That sounds juicy.
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Just over a year ago, @darius@friend.camp published Run Your Own Social, a friendly and accessible guide to running your own social network for your friends. I'd already been thinking about self-hosting, but this crystalized for me that desire.
This week, I launched my site and started inviting friends. It wouldn't have been the same without the encouragement provided by Darius' resource.
So, thanks, Darius! I'm really happy I read your guide. Cheers to a federated future.
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Homeland Security just released their rationale for why they’ve deployed military force, disappeared people, and attempted to murder people in Portland.It’s a list of graffiti incidents.
It's odd, they're calling these people "violent" and listing no incidents of them committing any acts of violence.
How odd, I wonder why they would say a thing that does not mean that thing.
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In Japan, I carried a pocket hand towel everywhere. That's pretty typical; Japanese toilets don't always have towels or air dryers, so people will carry their own hand towels.
It was handy enough that I kept it up (with minor modification) after returning home.
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I inadvertently curdled the half-and-half in my tea.
I have made mistakes.
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I've never played Kentucky Route Zero, but this video (by the excellent Ian Danskin of Innuendo Studios) speaks to such a powerful artistic experience.
As people discussed in the comments there, I think the only time I've experienced something similar was when I was reading Homestuck. Part of the experience of reading Homestuck as it released was going weeks, even months between updates. Sometimes, it would update with just a few more pages--just enough to satisfy the last cliffhanger and create a brand new one. Sometimes, there would be hundreds of pages in an update, launching the plot forward in an entirely new direction.
Characters would float in and out. There would be callbacks to things thousands of pages earlier. The whole thing felt mythical, not just because of the content, but the presentation as well.
I always appreciate artistic works that play with the medium and the experience of being an audience member. They're not always good, but rarely do they fail to be interesting.
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